NOVEMBER 2018 Art Exhibit
NOVEMBER 2018 Art Exhibit
In November, the Throckmorton Theatre Main Gallery will feature:
Artist: Caroline Dahl
Show Name: Day of the Dead Tree of Life
Medium: Fiber
Caroline Dahl’s Artist’s Statement

Dimensions: 18.75″ X 22.5″ X 1″
Media: DMC cotton embroidery floss on muslin, appliqued fabric, pom-pom trim
This is an exhibition of narrative hand embroidery and applique, occasionally including beading and/or piecework, that largely reflects my travel experiences in Mexico. I use exclusively DMC cotton floss on cotton muslin. The show, with a few exceptions, contains work that I do while on the road, working as a piano player
My first interest in making fabric art was quilting. After a couple of years as a quilt maker, I found I liked the feel of embroidery materials better, and I wanted to tell more detailed stories in a smaller format. Also at that time, I moved from a large apartment in Kentucky to a small room in San Francisco, and I left my quilting frame and other encumbrances behind. As a fashion-forward hippie of the 60’s, I remembered that I loved the embroidery ( from Mexico) on several of my blouses, and I wanted to explore that avenue.
Working with my hands is a meditative, introspective process I find comforting, while coming up with images and working out construction issues is exciting for me. The reflective, solitary nature of embroidery is a perfect foil for the energetic, public act of playing music. I feel like one pursuit enhances the other. I choose to make mostly humorous, diary-like work, often including text or titles in the pieces, as it seems an accurate reflection of my life, which is very often, just silly..
The Crescendo Gallery will feature:
Artist: Ben Parker
Show Name: Wall Sculptures
Medium: Wood
Ben Parker’s Artist Statement

I have always been fascinated with light and shadow and transitions between them, abruptly at corners and gently around curves. Shadow and light, yin and yang. That’s what led me to wall sculpture: painting with lighted contours instead of pigment and brush.
I chose wood as my medium because I could replicate a virtually limitless palette of shapes and sizes.
I added in the concept of randomness – as anyone who has explored this concept knows, this is easier to talk about than to achieve.
It has all been a deeply satisfying body of work.
Bio
Ben Parker grew up in Seattle, settling in California in 1947 and Mill Valley in 1955. Now, at age 97 he has been retired for many years from Fibreboard Corporation’s Creative Design Center on the San Francisco waterfront. He has dabbled in several creative endeavors such as film, writing – with an unproduced play and a published book to show for it – plus painting and design. A while back he explored wall sculpture in wood, several examples of which are on display here. There won’t be any more of these; that particular creative itch has been scratched.